Please, Sin & pull the petals off my consciousness until you reach the bottom of my body #117

Drawer: James Jean.

Public Billboard of Globalized Town into Public Billboard of pixelled Metropolis in Christmas Time #30

'Et mourir de désir' is a poster from a hopefully forgotten French movie released only in few countries (French-speaking countries, Italy, Japan) in 1974 but whose iconic title swings in the strollers' eye at Brussels, place du jeu de Balles, thanks to the concern of an old shopkeeper.

Who funds Europe's climate change deniers?

"They are a tiny minority, a network of just a few dozen individuals around the world. Their numbers contrast starkly with the overwhelming majority of scientists who agree on the reality of man-made climate change, and on the urgent need for action. But the voices of climate deniers, are amplified in Europe by a handful of extremist free marketeers and right-wing think tanks, which try to block action to tackle climate change. Using non peer- reviewed publications, hijacking scientific debates, and targeting the mass media, they create confusion in the minds of the public about both the reality of global warming and the policies designed to curb emissions. This report investigates who funds the European think tanks that actively promote the denial of climate change."
The Corporate Europe Observatory tells you more about it.

Please, Sin & make me vanish into bodyless tremors #115

Captured Photo: t&a.

Alternatives to honeyed waves are always possible since Thanatos stays around and the wilderness of the body is not completely hygienized yet. So if puking is like exhalating an octopus according to you, shivering is like having a bugs' invasion and putting your head in a hairy pussy is like digging a forest with your self, feel more than welcome into the unruled universe of Daikichi Amano.

I put light in my paintings that does not exist in my country in spite of Santa Klauss' help #60

Italian Immigrant with heavy memories to carry: danilo pasquali

Homo Touristicus in il museo permanente della globalizzione #6

Hippies' nostalgia for failed alternative communities might be increased by the attention paid to the potential asociability lodged into the electronic-networks. At least, Ministers of Home Affairs/Interior are concerned by the use of this potential that is - so far- pacific but tends however to revive the Situationist International's practices of infiltrating daily life with pure unproductive activities. Click here to see one of them in NYC (lifted from Urban Prankster): and the city's face changes since it is not a permanent museum of globalization anymore.

Public Billboard of Globalized Town into Public Billboard of pixelled Metropolis in Christmas Time #29

I put light in my paintings that does not exist in my country #59

Budapest, early in the repetitive morning, ignoring the globalised leaks of the wikidiplomacy, when promises of the past have vanished into an unspeakable language. Meanwhile, in Hawaï, a free spending of pure form & energy is happily taking place.

Environment, Precautionary Principle & Polluter-Pays-Principle

(Thanks to Romano)

Please, Sin into the infinite ramification of my promise #114

Sculptor: Cornelius Zitman, Musée Maillol, Paris.

Un homme qui n'aspire à la santé ne saurait tomber malade: il l'est déjà

“Je retire toute confiance à une société d’êtres humains, mais fondée sur la peur de l’humain. Je retire toute confiance à une civilisation qui a trahi l’esprit au profit du corps. Je retire toute confiance à un corps qui n’est pas ma chair et mon sang, mais censé incarner l’idée que la collectivité se fait d’un corps normal. Je retire toute confiance à une normalité qui se définit elle-même comme la santé. Je retire toute confiance à une santé qui se définit elle-même comme la normalité. Je retire toute confiance à un système de domination qui se fonde sur des pétitions de principe. Je retire toute confiance à une sécurité qui prétend apporter une réponse définitive en taisant soigneusement les termes de la question. Je retire toute confiance à une philosophie qui prétend qu’il n’y a plus lieu de débattre des problèmes existentiels. Je retire toute confiance à une morale trop veule pour affronter le paradoxe du bien et du mal, et qui préfère s’en tenir aux catégories d’“utile” et d’“inutile”. Je retire toute confiance à un système juridique dont les succès sont subordonnés à un contrôle permanent du citoyen. Je retire toute confiance à un peuple convaincu que la transparence totale de la vie n’est préjudiciable qu’à ceux qui ont quelque chose à cacher. Je retire toute confiance à une Méthode qui croît à l’ADN d’un homme plutôt qu’à ses paroles. Je retire toute confiance au bien-être collectif, parce qu’il considère les choix personnels comme un poste de dépenses inacceptable. Je retire toute confiance au bien-être individuel tant qu’il n’est qu’une variante du plus petit dénominateur commun. Je retire toute confiance à une politique dont la popularité repose exclusivement sur la promesse d’une vie dénuée de risque. Je retire toute confiance à un amour qui se considère comme le produit d’un processus d’optimisation immunologique. Je retire toute confiance à des parents pour qui une cabane dans un arbre n’est qu’un “risque de chute” et un animal domestique un “risque de contamination”. Je retire toute confiance à un État qui sait mieux que moi ce qui est bon pour moi. Je retire toute confiance à l’imbécile qui a ôté l’écriteau annonçant à l’entrée de ce monde : “Attention, la vie peut conduire à la mort”. Je retire toute confiance, parce qu’il fallait que mon frère meure pour que je comprenne ce qui signifie vivre.”
Julie Zeh
Corpus delecti

CEDH, Darraj, 4 novembre 2010, n° 34588/07

"Un mineur frappé par les flics : la France condamnée par la CEDH

Traitement inhumain d’un mineur dans un commissariat : la CEDH condamne la France, dans une affaire où la police a fait n’importe quoi,… et la justice aussi (CEDH, Darraj, 4 novembre 2010, n° 34588/07).

Le 10 juillet 2001 vers 18 heures, la police procède au contrôle d’identité d’un jeune homme âgé de seize ans. Le gamin n’ayant pas de documents d’identité sur lui, les policiers le conduisent au commissariat d’Asnières-sur-Seine pour vérification. Le cadre d’intervention est clair : pas d’infraction, mais une simple vérification d’identité.

Moins de deux heures plus tard, à 19 h 45, le jeune homme est transféré au service des urgences de l’hôpital et le médecin constate des contusions du globe oculaire droit, du poignet et du dos, de multiples érosions cutanées du visage et du cou, de multiples hématomes du cuir chevelu. Les examens radiologiques mettent en évidence une fracture du testicule droit avec contusions et hématomes, justifiant une prise en charge immédiate au bloc opératoire."

La suite sur l'Actualité du droit.

Public Billboard of Globalized Town into Public Billboard of pixelled Metropolis #28

XXIst century's icons & myths mapping our daily roaming en el Laberinto de la soledad #47 (Living Reifications)

As David Cronenberg or J.G. Ballard know, constant projections of our desires on the surrounding daily artefacts may bring life to them. It may also incidentally endanger the desiring subject. 睡袋熊's characteristic is to revert to Frankenstein's parable and to reverse the situation: he prefers to display artefacts as secretly endangered -or at least silently suffering- subjects.

XXIst century's icons & myths mapping our daily roaming en el Laberinto de la soledad #46 (Gustav Klimt's Desire)

Like an endless adolescence, the taste and warmth for Klimt's representations might haunt endlessly our Desire since himself depicted the wandering of ages and of feelings in an exalted nature. In that case, adulthood is to infiltrate his still & sanctified images with fleshy & marked faces: Moises Gonzàlez pays an incredible tribute to Klimt's influence and to the discovery of romance it has accompanied.

Public Billboard of Globalized Town into Public Billboard of pixelled Metropolis #27

Homo Touristicus in il museo permanente della globalizzione #5

Desert: Florian Joye, "Bawadi, Desert Gate", 2006. Notre Dame: Manit Sriwanichpoom, "La vie en pink", 2004.

I put light in my paintings that does not exist in my country #58

Hard-core shoots and photographs sticking to the mind like restless terms repeated by globalised & worried news: Clayton Cubitt.
Pax tecum,
B

Style is what remains once post-Sovietic chaos put you down #26

Latvian photographer: Arnis Balcus

XXIst century's icons & myths mapping our daily roaming en el Laberinto de la soledad #45 (Stardust of wasted times)

Artist: Chris Jordan.

Please, cease being my winged-muse & sin in full skin with me #113

Sculptor: Jamie Salmon.

Please, stay mute & wave me #112

French photographer: Geoffroy de Boismenu

XXIst century's icons & myths mapping our daily roaming en el Laberinto de la soledad #45

While men never end to fall from their masculinity in Western movies (see The Misfits, Alien, El secreto de sus ojos...), some young women are not afraid of auto-irony: Claire Bourdillon is one of them and she seems to be well-rooted in her century.

I put light in my paintings that does not exist in my country #57

French artist: Claire Bourdillon.

I put light in my paintings that does not exist in my country #56

Shooter of Fashion/Consumption-Victim: Erica Simone.

Public Billboard of Globalized Town into Public Billboard of pixelled Metropolis #26

Chanel's chest for the street has been lifted from Arab Parrot when in city of The Angels. 'Are you happy' map is not anonymous but from an unknown source to me. The knocked eye was shooted by Yves Trémorin. "En rupture de Mer Rouge qui a trop roulé de mon corps, Je est en vrac à l'Aber-Wrac'h" (A. Rimbaud).

XXIst century's icons & myths mapping our daily roaming en el Laberinto de la soledad #44

At last the truth, thanks to Aaron Dunn.

Please, Sin as if you were a true Mormon # 111

Probably fake but here is a rare occasion to share entertainment with a Mormon. The ante-photoshop option is still valid.

Epiphany is Hard Scotish Labour too #58

"What's left after the Fall" is the recurrent question addressed by philosophy. Hereafter is some proposals delivered by XXIst century's art on the basis of European legacy:
Talented, prolific & Scotish (female reincarnation of Georges Bataille?) Jessica Harrison .

Announcement to the people inhabiting the "South of Nowhere" and to those who are lost in Septentrion:

Groningen welcomes a new exhibition of Collage's realities of Eduard Bezembinder where "Admirer's Freedom" can take place for free.

XXIst century's icons & myths mapping our daily roaming en el Laberinto de la soledad #43 (face to face's screen)

Sculptor: Fredrik Raddum.

I put light in my paintings that does not exist in my country #55

Canadian photographer: Ériver Hijano.